"Mouthpiece"
by L. Ron Hubbard
Multicast performance
Produced by Galaxy Audio (2012)
Approx 2 hours
Being a comic book fan I've always been drawn (pardon the pun) to the pulp magazines from the early to mid 20th century. Actually, the pulp magazines were printed between 1896 and into the 1950s. Pulp magazines with their thrilling over the top stories and characters and sensational cover art could easily be said to be the founding fathers of comic books. With authors such as Isaac Asimov, H.P. Lovecraft and L. Ron Hubbard the stories were often more valuable than the mere 10 cent cover price of the pulps. Many well known authors wrote for the pulps and provided a plethora of short stories that have been nearly forgotten. The pulps are making a comeback, thanks in small part to the old Quentin Tarantino movie, but the biggest reason for the comeback is the efforts of Galaxy Press and Galaxy Audio.
Since 2008 Galaxy Press/Galaxy Audio have been publishing the stories L. Ron Hubbard wrote for the pulps. This not only preserves the stories for the future, after all the original pulps were printed on cheap paper (thus the name) and not meant to last, but this re-releasing exposes the readers of today to some fun stories in nearly every genre; mystery, sci-fi, adventure, westerns and more. The added bonus is that Galaxy Audio is releasing each of these books, which contain one to four stories each in a pulp magazine feeling edition, into audiobooks.
The audiobooks from Galaxy Audio capture the feel of the original pulp magazines of the pulp era by dramatizing each book in the manner of radio shows from the same era. They use great vocal talent that are able to bring these over the top characters to life, sound effects that keep the story going and incidental music that fits perfectly with each genre and story. Each time I listen to one of these audiobooks, I'm always amazed at the escapism provided. By the end of each book I'm left wanting more yet still feeling satisfied by the great stories provided. Then I have to wait another book for the next issue to be released. (Actually you could buy the "ePulp" through their website, which is an iPod classic preloaded with all 80 audiobooks with lots of extras including photos, glossaries, videos and more, and not have to wait.)
This time around I gave the February, 2012 release of "Mouthpiece" a listen. This audio pulp release from Galaxy audio features for stories from the Mystery genre of L. Ron Hubbard's pulp writings. These stories were perfect Hubbard stories in that they not only were fun to hear but they included the inevitable Hubbard story twists and turns that keep you guessing until the very end.
The first story in this collection is, "Mouthpiece" originally published in the September, 1934 issue of "Thrilling Detective, and tells the story of Mat Lawrence who returns from building a power dam in the desert to track down the murderer of his gangster father. It had been a long time since Mat Lawrence went to the city. Only something urgent could take him from his job something as urgent and shocking as the grisly murder of his father. His father was a big-time gangster so it was no big surprise, Mat was an honest man but shared his father's temper which gets him to seek revenge on his father's murderer. Seeking the help of his father's attorney, Mat goes after the murderers and the million dollars that has gone missing.
Story number two is "Flame City," originally published in the February, 1935 issue of "Thrilling Detective" and tells the story of Fire Chief Blaze Delaney whose job is in jeopardy because of a rash of fires hitting the city. Blaze gets help from his son to stop an epidemic of fires and bring the arsonists to justice.
The third story is "Calling Squad Cars!" originally published in the April, 1934 issue of "Phantom Detective" and tells of a police dispatcher suspected of helping a gang of bank robbers. When he is fired as dispatcher he fights back by tracking down the gang. When he is taken hostage by the gang he soon learns how they were able to put out false reports on the police band to cover up their actual heists. Now the dispatcher must use his skills as an expert radio man to foil the gangs criminal antics.
The final story is "The Grease Spot," originally published in the July, 1936 issue of "Thrilling Detective" and tells the story of former race car driver now owner of a wrecking company who has been warned against using the police band as a means to get his tow jobs. He soon finds himself a captive, at gunpoint, and needing help from the men in blue, or can he turn it around and help them out?
All four stories in superb audio drama form are the perfect companion for anyone who loves a good mystery.
Showing posts with label pulp. Show all posts
Showing posts with label pulp. Show all posts
Wednesday, January 11, 2012
Monday, December 19, 2011
"Orders is Orders" by L. Ron Hubbard
"Orders is Orders"
by L. Ron Hubbard
Multi-cast performance
Produced by Galaxy Audio (2008)
approx 2.5 hours
Galaxy Audio is getting ready to release some new collections of audiobooks from L. Ron Hubbard's Pulp Fiction writings of the mid-20th Century and before I get to them I realized there was one release I've missed. You see, since 2008 Galaxy Press and Galaxy Audio have been gathering all of the stories Hubbard wrote during the hey day of pulp fiction and have been releasing the New York Times bestselling author's writings in their own new pulp magazine forms. The paperbacks have the feel of the old pulps (but are a little more sturdy), and the audio book forms, well let's just say, Galaxy Audio has created the new format of Audio Pulps. The audiobook releases are all around 2 hours in length and while some may contain one story there are some that have 2 or 3 short stories. This one is only one story but, as are all of them, it is a fun and exciting adventure story.
The way Galaxy Audio has created this Audio Pulp format is by casting multiple talented people to play the parts in the story and then incorporating excellent sound effects and perfect music between chapters. The final products sound like old time radio with over the top acting for the over the top characters created by Hubbard. The voice work alone makes these recordings fun to hear.
As for the stories, well I will have to say there is a bit of a pulp fiction formula to them, but Hubbard uses that formula perfectly. I had originally thought this was just a Hubbard gimmick, but following the success of Galaxy Audio/Galaxy Press re-releasing the old pulp-fiction stories other publishers have begun releasing other stories from the pulp-fiction days, and it seems that the formula is a pulp-fiction formula and Hubbard just seemed to master it. That formula? Well, you gotta have a hero, a sidekick (preferably with some strange quirk) a dame and an impossible mission or crime to solve, then throw in some pretty enemies that are impossible to overcome and have the good guys win. It works and let me tell you, it is extremely fun.
This story, "Orders Is Orders" was originally published in the December, 1937 issue of "Argosy weekly" and tells the story of just such formulaic characters. Two marines, Gunnery Sergeant James Mitchell and Private First Class "Tuffy" Spivits, and a girl, a fan dancer trying to escape the war-torn area, dodge bullets on a 200-mile trek through embattled China to bring serum and gold to the American consulate, an isolated island of safety in a sea of dead and dying.
Japan and China are battling it out and caught in the middle, in the Chinese city of Shunkien, is the American Consulate. The American refugees cannot escape due to the war being waged and the Asiatic form of cholera is threatening unless they can get the serum on time. Sgt, Mitchell is just the man to do it, but he has one weakness, liquor, if he can stay away from it he can stay clear headed enough to get the job done. One of the many things that make Mitchell the perfect candidate is that he was raised in the area. Mitchell's father is a missionary and he was raised there until a falling out caused him to leave abruptly, he's been on his own ever-since.
Mitchell and Spivets come to the aid of a fan dancer who is trying to escape, but they end up taking her the wrong way when they commandeer her car in order to make the mission succeed. Along the way they come to where Mitchell's father has set up is mission and find it nearly in ruins due to the war. Since their last car broke down they have to commandeer one and reluctantly Mitchell's father joins in. With constant battles going on they strange landing party fight all odds to get to Shunkien on time without getting the U.S. involved in this war.
It may be the old Pulp-Fiction formula, but L. Ron Hubbard could write the action that keeps you hooked until the very end.
by L. Ron Hubbard
Multi-cast performance
Produced by Galaxy Audio (2008)
approx 2.5 hours
Galaxy Audio is getting ready to release some new collections of audiobooks from L. Ron Hubbard's Pulp Fiction writings of the mid-20th Century and before I get to them I realized there was one release I've missed. You see, since 2008 Galaxy Press and Galaxy Audio have been gathering all of the stories Hubbard wrote during the hey day of pulp fiction and have been releasing the New York Times bestselling author's writings in their own new pulp magazine forms. The paperbacks have the feel of the old pulps (but are a little more sturdy), and the audio book forms, well let's just say, Galaxy Audio has created the new format of Audio Pulps. The audiobook releases are all around 2 hours in length and while some may contain one story there are some that have 2 or 3 short stories. This one is only one story but, as are all of them, it is a fun and exciting adventure story.
The way Galaxy Audio has created this Audio Pulp format is by casting multiple talented people to play the parts in the story and then incorporating excellent sound effects and perfect music between chapters. The final products sound like old time radio with over the top acting for the over the top characters created by Hubbard. The voice work alone makes these recordings fun to hear.
As for the stories, well I will have to say there is a bit of a pulp fiction formula to them, but Hubbard uses that formula perfectly. I had originally thought this was just a Hubbard gimmick, but following the success of Galaxy Audio/Galaxy Press re-releasing the old pulp-fiction stories other publishers have begun releasing other stories from the pulp-fiction days, and it seems that the formula is a pulp-fiction formula and Hubbard just seemed to master it. That formula? Well, you gotta have a hero, a sidekick (preferably with some strange quirk) a dame and an impossible mission or crime to solve, then throw in some pretty enemies that are impossible to overcome and have the good guys win. It works and let me tell you, it is extremely fun.
This story, "Orders Is Orders" was originally published in the December, 1937 issue of "Argosy weekly" and tells the story of just such formulaic characters. Two marines, Gunnery Sergeant James Mitchell and Private First Class "Tuffy" Spivits, and a girl, a fan dancer trying to escape the war-torn area, dodge bullets on a 200-mile trek through embattled China to bring serum and gold to the American consulate, an isolated island of safety in a sea of dead and dying.
Japan and China are battling it out and caught in the middle, in the Chinese city of Shunkien, is the American Consulate. The American refugees cannot escape due to the war being waged and the Asiatic form of cholera is threatening unless they can get the serum on time. Sgt, Mitchell is just the man to do it, but he has one weakness, liquor, if he can stay away from it he can stay clear headed enough to get the job done. One of the many things that make Mitchell the perfect candidate is that he was raised in the area. Mitchell's father is a missionary and he was raised there until a falling out caused him to leave abruptly, he's been on his own ever-since.
Mitchell and Spivets come to the aid of a fan dancer who is trying to escape, but they end up taking her the wrong way when they commandeer her car in order to make the mission succeed. Along the way they come to where Mitchell's father has set up is mission and find it nearly in ruins due to the war. Since their last car broke down they have to commandeer one and reluctantly Mitchell's father joins in. With constant battles going on they strange landing party fight all odds to get to Shunkien on time without getting the U.S. involved in this war.
It may be the old Pulp-Fiction formula, but L. Ron Hubbard could write the action that keeps you hooked until the very end.
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