"Trifles" by Susan Glaspell

Trifles
Susan Glaspell
a full cast audio performance
starring Jeanie Hackett, Amy Madigan, Sam McMurray, Stephen Vinovich and Steven Weber
Produced by L.A. Theatre Works
29 minutes

Cast:
Jeanie Hackett as Mrs. Peters
Amy Madigan as Mrs. Hale
Sam McMurray as the Sheriff
Steven Vinovich as Mr. Hale
Steven Weber as the County Attorney
Directed by Rosalind Ayres.
Recorded at The Invisible Studios, Los Angeles in April, 2011.

Once again I get the pleasure of attending a theatrical performance without leaving my home, okay, actually I left my home because I listened to this production from L.A. Theatre Works in my car on my commute to work.  Being just under 30 minutes of performance time I heard the entire play from beginning to end without interruption.  This one act play is loosely based on the murder of John Hossack, which the author, Susan Glaspell, reported on while working as a news journalist for the 'Des Moines Daily News. Hossack's wife, Margaret, was accused of killing her husband. However, Margaret argued that an intruder had killed John with an axe. She was convicted but it was overturned on appeal.  The play was written and first performed in 1916.

Even if it is a one act play, such as this one, L.A. Theatre Works, puts their all into it.  The recordings of the performances are so clear that every movement made by the actors is clear in its intent.  Such as when the women in the play are checking the canned fruit jars, some of which were cracked due to the excessive cold in the house, when the women are pulling out the jars to find one undamaged, every clink of the glass and the scooting of the jars in the cabinet can be heard.  It is amazing that they can create the complete theatre of the mind aspect without over emphasizing anything, it all has intent and once again the production value from L.A. Theatre Works captures all the ambiance of the performance.

While the title of the play is taken from one of Mr. Hale's lines, "Well, women are used to worrying over trifles." It also can refer to the time period when women were treated as mere trifles themselves.  "Trifles" is seen as an example of early feminist drama, because it is two female characters', Mrs. Peters and Mrs. Hale's, ability to sympathize with the victim's wife, Minnie, and so understand her motives, that leads them to the evidence against her, while the men are blinded by their cold, emotionless investigation of material facts.

While the men are investigating the murder scene and other aspects of the house it is the women that uncover the whole story from the clues in the quilting, the broken birdcage and more.  The play doesn't end with the trial, but only after the women discuss their found evidence and decide not top pass the info on to the men, who probably wouldn't listen anyway.  The sheriff, says of the kitchen "Nothing here but kitchen things." This dismissal of the importance of the woman's life and the male reluctance to enter the "woman's sphere" is key in the men's failure to discover the crucial evidence for the case. The most important evidence is found hidden in Minnie's sewing basket.

A very haunting play and a brilliant performance produced by L.A. Theatre Works makes for a solid performance you won't forget.

"Becky Shaw" by Gina Gionfriddo

 "Becky Shaw"
by Gina Gionfriddo
Multicast performance starring;Emily Bergl, Matt Letscher, Marsha Mason, Mandy Siegfried, and  Josh Stamberg
Produced by L.A. Theatre Works
1hour 49 minutes

One thing about relocating to a small town in the middle of nowhere is that there is a very limited choice of theatrical and cultural experiences.  Okay maybe just theatrical, there's plenty of cultural experiences that come to small towns like harvest festivals, wine tasting festivals and various other, but with only a community college nearby the theatrical experiences are severely limited compared to when I lived in the city.  I guess really that's the one thing I miss, sitting in the darkened theater with live performers, that sometimes are friends and sometimes major celebrities that come to town on a touring performance.  Getting lost in the story and the full four dimensional experience that is the theatre.

Luckily I've stumbled across the audio releases from L.A. Theatre works.  These recorded performances put you right in the middle of the audience and while the visual aspect of the theatre is missing, the quality of production of the audio keeps you in the performance without missing the visual.  The sound effects and audience response are perfectly mixed in to not distract but instead enhance the performance.

This time around I listened to a contemporary play, "Becky Shaw" written by Gina Gionfriddo.  The play is a bit of a comedy of errors type play but may even seem as a bit of a love story with some suspense thrown in, so I guess you could say, a suspenseful comedy of romantic errors.  The main characters are Max and Suzana who are raised together after Max's mother dies and Suzana's parents take him in. Suzana's mother suffers from MS and has recently taken a young lover, a mere 4 months after the death of Suzana's father.  During the introductory scene we learn that Max and Suzana may have an attraction to each other.  The action starts when we jump a few months later after Suzana has run off to Vegas to get married and Suzanna sets up Max, on a blind date with her husband's co-worker, the mysterious Becky Shaw. During the date Max and Becky are mugged and what follows is a series of cataclysmic events that forever changes all their lives.

Mixing sharp wit and humor with the suspense of a psychological thriller, this critically acclaimed play will keep you guessing as to what will happen next.  I will warn you the play would be R-rated as the main characters seem to love throwing around the F-bomb.  But the performance is spot on, as have been all the plays I've heard from LATW.  Also the play is a lot of fun with the humor, twists and turns, and quick view of human nature.

Not until the very end do all things get sorted out, and even then I was still left wondering, who is this Becky Shaw?

"Top Secret: The Battle for the Pentagon Papers" 2008 Tour Edition by Geoffrey Cowan

"Top Secret: The Battle for the Pentagon Papers" 2008 Tour Edition
by Geoffrey Cowan
Multi-cast drama
Produced by L.A. Theatre Works (2008)
Approx 2 hours.

Where did it all go wrong?  When did the government become a source of distrust?  I don't think there is one single event that caused this current distrust of politics and the government, but according to current Pew research only 26% of those surveyed trust the government.  A lot of this has come from current governmental scandals, but I would go out on a limb and say that a lot of this government distrust started during the Vietnam war era.  That was a time of coverups and secret wars that once the information reached the public the government in general seemed to be a bad guy. 

One of the events that reveal this cover up was the publishing of the "Pentagon Papers" by the New York Times and the Washington Post in 1971.  This release from L.A. theatre works brings to light the events surrounding the release of the Papers by the Washington Post, including the court trial which led to a landmark decision by the Supreme Court which is best summarized by Justice Steward, "without an informed and free press, there cannot be an enlightened people."  The first amendment, which states, "Congress shall make no law respecting an establishment of religion, or prohibiting the free exercise thereof; or abridging the freedom of speech, or of the press; or the right of the people peaceably to assemble, and to petition the Government for a redress of grievances."  with the section on free press, provides another check and balance for the government to act in the best interest of its citizens.  This production from L.A. Theatre works not only provides a nice glimpse at this moment in history but also helps to further the lessons learned during this time of cover ups.

The full cast performance of "Top Secret: The Battle for the Pentagon Papers" stars; Diane Adair, Bo Foxworth, John Getz, James Gleason, Gregory Harrison, John Heard, Charles Janasz, Raphael Sbarge, Russell, Soder, Susan Sullivan, Peter Van Norden, Tom Virtue, Geoffrey Wade, and brings to life the events which led to the publishing of the papers and the battle which was brought to court by the Nixon administration.  The play is very well performed and written and with the audience effects LATW puts you right in the middle of the performance.  Based on interviews and court transcripts this story is one that must be heard by all.

It all starts when an injunction has been served on the NYTimes to stop publication of the "Pentagon Papers," and the Washington Post reporters and editors see this as an opportunity to scoop the NYTimes by getting their hands on copies of the Paper.  Once the Post begins publishing the Papers, after a long night of soul searching by the reporters and editors, Nixon's administration jumps in taking the Post to court under the guise of National Security.    Through the trial the paper's attorneys and editors battle down every argument against publishing the Papers and eventually win, even after the Nixon Administration appeals all the way to the Supreme Court. 

This play is a great representation of a time in U.S. history that changed the world, and is a key story in any freedom of press argument.  Grab this piece of history and enjoy. 

"She Stoops to Conquer: or Mistakes of the Night" by Oliver Goldsmith

"She Stoops to Conquer: or Mistakes of the Night"
by Oliver Goldsmith
a full cast audio performance starring James Marsters, Joanne Whalley and Ian Ogilvy
Produced by L.A. Theatre Works (2010)
Approx 2 hours

Once again I'm going back for a visit to the classics, and this time a classic theatre performance from L.A. Theatre Works.   I originally sought out this audio performance because of James Marsters, I have recently become a fan of his, after listening to his narration of the Dresden Files series of books by Jim Butcher.  Marsters then started showing up in some of the TV programs I watch and well I've become somewhat of a fan.  I had listened to a couple of previous productions from L.A. Theatre Works and a couple of them featured Marsters, so I looked to find out what else he'd done with them. 

I remember reading this play back in college and just looking at it as just another play we have to read.  When reading and analyzing it I did find some of it humorous, but very little.  Now that I've heard this performance, I find it quite a bit more humorous.  The acting in this production really focuses on the fun parts of the play and with the freedom of not having to get graded on my analysis, I was able to enjoy it more. 

I think the acting is what made this even more fun the cast consists of: Rosalind Ayres as Mrs. Hardcastle, Adam Godley as Tony Lumpkin, Julian Holloway as Elder Marlow and Stingo, James Marsters as Charles Marlow, Christopher Neame as Roger, Paula Jane Newman as Bet Bouncer and Pimple, Ian Ogilvy as Mr. Hardcastle, Moira Quirk as Constance Neville, Darren Richardson as Diggory and Jeremy, Joanne Whalley as Kate Hardcastle, and Matthew Wolf as George Hastings.  While I was in this for the James Marsters performance, I can honestly say that all the actors performed so well that no one single person stood out and the production as a whole was a complete success.  So far all of the productions I've heard from LATW are perfect.  They put you right smack dab in the middle of the audience and you can't help but enjoy these performances.

This play is pretty much a comedy of manners, basically a play about the difference in classes, with the mistaken identities and the expected behaviors, the comedy comes from those acting out of their class.

A man of wealth, Mr. Hardcastle arranges for his daughter Kate to meet Charles Marlow, the son of a wealthy Londoner, hoping the pair will marry. Marlow has a problem with women, it seems that when he's speaking to those of the upper-class he is nervous and stammers and cannot look them in the eye, however the lower class women he has no problem talking with. 

When arriving in town Kate's cousin Tony Lumpkin intercepts Marlow and sends him to Kate's home, only Lumpkin tells Marlow it is an Inn and not their home.  Expecting the people of the house to be Innkeepers and servants Marlow treats them as such.  Mr. Hardcastle, unaware of the misunderstanding, takes offense, but Kate sees this as the opportunity to actually be able to talk with Marlow and avoid his nervousness, by pretending to be the barmaid.  During the night the whole mistaken identity and class wars create some good humor until finally someone arrives to straighten out the whole mess and those that are actually in love with each other can be open about their relationships.

Bravo, LATW, on yet another fine production. 

"Enron" by Lucy Prebble

"Enron"
by Lucy Prebble
a full cast audio performance
starring Greg Germann, Gregory Itzin, Amy Pietz and Steven Weber
Directed by Rosalind Ayres.
Recorded before a live audience at the Skirball Cultural Center, Los Angeles in October, 2010
Produced by L.A. Theatre Works
1 Hour 51 Minutes

One of my latest treasures I've found are the classic theatrical productions in audiobook form produced by L.A. Theatre works.  I've been listening to plays by Shakespeare, Arthur Miller, Chekov, Oscar Wilde and others.  Listening to the classics is fun but this time around I was curious to see what LATW had to offer in the more modern theatre genre.  I was intrigued by this play, "Enron," due to the fact that as the Enron scandal unraveled I was was working on a Business format radio station and at the time and this was all big news, and I heard most of it unfold live on the air with our in depth coverage on "Business Radio 1190 KPHN."  What I didn't know then was how this would affect our economy today. 

This play not only points out the greed and political underhandedness of the time and of the company but also gives great insight as to how the world economy today has fallen into the state it is in.  The interesting aspect of this play is that it, at times, takes an absurdist look at the situation and company.  For example, when the company develops a way to make losses seem like profits they illustrate the feature by feeding dollar bills to Raptors, yes in the performance you hear actual dinosaurs eating money.  The raptors soon become too much to handle and must be released or killed.  Another fun feature of the play is that it has song and dance numbers.  A musical about greed...too much.

When Enron slumped into bankruptcy in December 2001, Lucy Prebble was a 20-year-old English literature student at the University of Sheffield in northern England.  She tossed around the idea for a few years and eventually got to do her show making it into this musical adventure that actually puts into plain language the cryptic language of finances and Mark to Market financing that gave Enron the edge.  So with a little British humor the average listener is able to understand the disaster that came crashing down on Enron and the U.S.   Informative, entertaining and frustrating, you'll find yourself laughing with disgust at big business.

"Macbeth" by William Shakespeare

"Macbeth"
by William Shakespeare
Multi-cast performance starring James Marsters
Produced by L.A. Theatre Works
Approx 2 hours

While getting my degree in Theatre from Southern Illinois University, I learned to appreciate the works of Shakespeare.   The first thing I learned is that the plays are meant to be performed not just read.  Once I started performing scenes from Shakespeare's collection I saw how much fun and in depth the stories were.  Yes, even the tragedies were fun, from a performance perspective.  So now when I hear of students having to read Shakespeare I cringe a little knowing they may never learn to appreciate Shakespeare.  In comes  L.A. Theatre Works and their releasing in audiobook format theatrical performances.    I've had the chance to listen to several of these and, to be honest, I was leery at first.  I was thinking, how can you turn such a visually dependent medium into an adequate audio book? 

L.A. Theatre Works goes well beyond the adequate, and are able to produce superb audio versions of some great performances.  Most of this lies in the excellent production using sound effects that make sense in the right places and with even more excellent casting.  The many plays always feature accomplished actors, not just famous ones but ones that are capable of filling the role to perfection.  In the case of this release, James Marsters is cast in the lead as Macbeth, and just knocks it out of the park.  There is one scene where the ghost of Banquo sits in Macbeths chair at a dinner party and the issue is that Macbeth begins yelling at the spirit and the other members of the party don't see the ghost.  In his vocal gymnastics alone on this recording, Marsters is able to explain to the listener that only he sees the ghost.  Great performance throughout by all the actors. 

As for the story of "Macbeth,"  this is one of Shakespeare's shortest plays and carries with it some baggage.  "Macbeth" is considered a cursed play, so much so that theatre tradition does not allow one to mention the name of the play within a theatre,  many refer to it as "The Scottish Play" and when referring to the main characters, just call them "Mr. and Mrs. M."  The reason behind this superstition goes back many years, the origin is that Shakespeare used some actual witches' spells when writing it, and as revenge for giving out the secrets of the craft some real witches cursed every mention of the play.

The play is about a General in the Scottish army who becomes king, but not in a traditional happy sort of way.  Two generals, Macbeth and Banquo are returning from a battle and stumble across three witches in the forest where the tell the two of their fortunes.  Macbeth will be king and Banquo will have his children for many ages become King. 

Putting the thought of becoming King into Macbeth's head leads to the murder of King Duncan and the fall into madness that surrounds Macbeth.  Soon he must go to the witches again to find out more of his future.  This time around the witches tell him that no man born of a woman can kill him, leaving Macbeth with the false belief that he is invincible.  Tragedy ensues and another classic has been engulfed.  Enjoy this classic performed by wonderful cast.

"A Raisin in the Sun" by Lorraine Hansberry

"A Raisin in the Sun"
by Lorraine Hansberry
Live Cast recording
Produced by L.A. Theatre Works
Approx. 2.5 hours

Wanting to revisit my theatre days, I set myself to listen to a few plays turned into audio books. I read several plays while earning a degree in theatre from Southern Illinois University and I know that plays are meant to be performed but now residing in an area where live theatre just doesn't happen on a regular basis, I decided to go back and listen to some audio performances as part of my constant audio book stream. I first tried some Shakespeare, I actually love Shakespeare, but the audio performance wasn't clicking with me at the time. So, after a while I find this treasure L.A. Theatre Works' Production of "A Raisin in the Sun." I remember reading this play in my Theatre History class and seeing a couple performances with some great actors and knowing I have enjoyed the play in the past, I gave this one a shot.

I was in for a couple of treats when putting this cd into my player. First that one of the performers, Rutina Wesley is one of my favorite actors from the TV series "True Blood" (she plays Sookie's friend Tara). And second that the recording is superb. Every subtlety of the voices is captured and it seems as though the actors have been doing audio only acting for a while because events that may be seen in the performance and not necessarily heard were clearly communicated. The recording was superb and the acting was excellent in this audio version. Even the sound effects were captured perfectly, things such as shutting of doors, flushing of toilets and clinking of glasses were heard when needed. This makes for the perfect audio book experience that I have come to expect. I know I will be searching for more productions from L.A. Theatre Works.

The story covers a struggling African-American family in Chicago, the Youngers. The Youngers represent the 4th, 5th and 6th generation of their family brought to America via slavery. The family is struggling to make a go at living out the American dream. Mama Lena Younger's husband has passed and the family is expecting a $10 thousand check from the insurance company. Mama Lena has plans to move into a better home, however, her children have other plans. Son, Walter Lee wants to buy a liquor store and daughter, Beneatha wants to go to medical school.

On the day the check arrives, Lena goes out and comes back that evening having used the money as a down-payment on a house in a white neighborhood. Eventually she entrusts Walter with the remaining amount. She tells Walter to put $3 thousand into the bank for Beneatha's school and use the rest as he sees fit.

This story is full of ups and downs as the family is told they are not wanted in the white neighborhood, Beneatha gets a marriage proposal, and Walter invests all the remaining money (including Beneatha's share) and loses it. How the family handles the good and the bad creates a play that is a true testament to hope, not only to African-Americans, but to anyone. Virtues and vices are explored and true hope is found.

A classic play produced with excellent quality create this great audio masterpiece.