More about building a studio.

Here's a pic of the beginnings of the True Hideaway Studio.

This is going to be our work station area.  We'll be using Adobe Audition and ProTools for the software for our multi-track production.  The wall behind the computer monitor is the wall that separates the workstation from the studio proper.  We will be cutting a hole in that wall and placing a window so we can see the musicians or voice performers.

Right now we are equipped with some awesome mics from Blu-mic  We have a Yeti-Pro which will provide some awesome stereo recordings and a Snowball for when we don't need the actual studio and just run directly into the computer.  Also we'll be using an Audio-Technica AT4040 for some use, a Shure 55SH (yep, the "Elvis Mic."  and various others as needed.

We are using simple PAs as some of our input (Behringer EPA 150 & Yamaha StagePas300) since most of our tracking and mastering will be done using the software this cuts down on the space taken up by a mixing board.  I have recorded a couple of local bands using this same equipment (which I would drag to their rehearsal space) and have come up with some really nice recordings.

Keep coming back we'll have more as it gets built and stocked.

New direction for this blog

Pretty soon I'm going to be opening a Recording Studio in my hometown and in doing so will be separating my blogs.  While I will still be doing book reviews, they will only be available on my book review blog, Gil T.'s Pleasures @ http://gilwilson.wordpress.com 

This blog will be dedicated to the Radio and Audio production aspects of my life and of course the world of the the True Hideaway Production Studio.

Stay tuned.

"We're Alive: A Story of Survival" (The First Season) Written by Kc Wayland

"We're Alive: A Story of Survival" (The First Season)
Written by Kc Wayland
Multi-cast audio drama
Produced by  Modern Myth Productions, LLC
Published by Blackstone Audio, Inc (2011)
Approx. 10.5 hours

If you are a regular reader of my postings then you already know I'm a huge fan of all things zombie.  What attracts me the most to any zombie story is not necessarily the gore and horror of the zombies but rather the stories of the post-apocalyptic survivors.   I guess really you could say I'm a fan of post-apocalyptic tales, but throw in some zombies and the horror of a body rotting but still living and possibly wanting to eat your brain, and you've got some fun.  I think that's what I liked most about this story is that it focuses mainly on the survival of a few people and what they do to survive.  Sure the author adds his own twists to the flesh eating undead, but the main focus of this audio drama is the survival and relationships of people after the world is nearly wiped out. 

This story was originally released as a podcast and when I found out (sometime last summer) they had already started podcasting the second season.  I knew I wasn't going to start in the middle so I downloaded the entire season to my iPod.  Well here's where my frustration came in.  I don't know if it is something that is eluding me or what, but I cannot, for the life (or undead) of me get my iPod to play podcasts in order from start to finish, instead it wants to play the newest release first.  So what ends up happening is something like chapter 8 first then chapter 7  and playing in reverse order.  I could play each chapter one at a time but when listening I usually don't have my hands free to constantly click the iPod.  So after listening to the first chapter of the Podcast, I was annoyed so much I deleted the entire 2 seasons from my iPod.  I was mad about this because judging from the first chapter the series was going to be phenomenal.    Then just around last Thanksgiving I found out that Blackstone audio was releasing this series in an audiobook format.  I shouted for joy, and could finally listen to the rest of the story. 

I wish I didn't have to wait, but I will say the wait was worth it, for several reasons.  First off the production value of this audio drama is through the roof.  While this story could be listened to through a car stereo, headphones, a small set of speakers connected to whatever device or even a full blown stereo every detail can be heard.  I did listen through all of the mentioned devices not just to test this out but because I couldn't stop listening and no matter where I was if I could hook up my iPod I did.   I'll start off with the music;  the placement of the music between scenes and at the end of chapters is perfect.   All of the music perfectly reflects the mood of the moment. 

Now to talk about the sound effects.  There are numerous effects needed for this audio drama, first of all you've got gunshots, and the folks behind the production didn't use simple gunshot sounds, rather they went all out.  Each character that uses guns, use different guns, you've got Burt with his gun "Shirley" which the character Saul calls his hand cannon, and each time Burt fires that gun you know it's his gun.  The army guys in the story use a variety of weapons from 9mm hand guns to m-16s and more and each shot sounds like the guns should sound, there are several other weapons used and even the shotgun sounds like a shotgun.  I'm sure that Kc Wayland's military experience was what made this production use this attention to detail in the drama.  Another aspect are the zombies, there seem to be different types of zombies (I'll talk more on this later in this review) and each one makes a specific sound and the production quality stays on that same attention to detail when discriminating between each type.  Finally the vehicles used even have their realistic sounds.  When they take a Prius for a drive, it sounds like a Prius.  But I have to say the most fun was when I was listening in my car in the beginning of the story and the three army soldiers are driving a hummer to get to safety, the sound was awesome, I felt I was riding in a hummer with them, it was that realistic.   Based on the sound effects alone this drama was a winner with me, but there's more, oh so much more.

Part of that "so much more" is the writing.  Kc Wayland knows how to not only tell a story but to tell a story with real people.  Every piece of dialogue or narration is completely realistic.  The characters are consistent.  One thing I've often complained about when watching any zombie movie or even sometimes in a zombie book, is that all of a sudden everyone becomes the expert marksman and is able to make the headshot or that all of a sudden everyone knows what created the zombies and knows how to combat the virus, curse or whatever.  This just makes the movie or book less interesting because it is less believable.  I know, I know, you're saying, but how can zombies really be believable?   Well maybe they can't but when a writer, like Wayland, can make the people and the situations believable, that whole zombie thing seems like it is a real occurrence.  That's exactly what goes on here, everyone is fighting for survival, there are a very few that are expert marksmen, and even though the ones that are experts train the normal civilians, they don't all become experts.   Not only that aspect but no one in this story (at least not in season one) have any idea of what happened other than dead are rising up and chomping down on the living, and they don't waste their time with trying to figure out how, they are trying to live and keep living.

As for the gist of the story, one morning while Army Reserve soldier Michael Cross is getting ready to take a test in his everyday normalcy of college life,  an explosion is felt in the distance, Michael leaves class, under threat that test retakes will not be offered, and finds that mobs are rioting and attacking.  Michael's reserve unit is immediately called in to the base and he heads to the base to find out what is going on.  Upon arrival he meets up with Saul a former Mountaineering Division soldier and Angel a newbie Officer, they get into the armory to prepare for what looks like mere rioting and when the armory alarm goes off the mass of zombies which include their commanding officer attacks.  The escape in a humvee from the motorpool and decide to go to Angel's girlfriend's apartment building, first to check on her and second because the place would make a good securable base.

On the way they find a couple of survivors and then upon arrival the building's maintenance man is on scene and trying to get the power back on in the building while fighting off a few zombies.  After clearing out each floor of the 15 floor apartment building they arrive at the top floor to find the building's owner, Bill, barricaded in and shooting at anything that moves, after not able to reason with him they leave him be.  One of the rescued survivors makes a sign that reads "We're Alive," and soon more survivors arrive.

After setting up a small community they decide to send a party out for supplies, what they discover in the world outside is not too friendly.  Zombies storing the living for food and worse yet a group of survivors from a prison holed up in a mall ready to fight for turf.

The survival story continues with day to day living and excursions out to try and find out what can be done about the zombies.   They soon find that the undead may not be the worst of their problems, when the "mallers" decide to invade the apartment building.

This story is phenomenal and every aspect is done right, from the production to the writing, especially when some chapters are told from different survivors' perspectives.  Get this audio drama now and get hooked.  I'm ready to start Season two now.

"Trifles" by Susan Glaspell

Trifles
Susan Glaspell
a full cast audio performance
starring Jeanie Hackett, Amy Madigan, Sam McMurray, Stephen Vinovich and Steven Weber
Produced by L.A. Theatre Works
29 minutes

Cast:
Jeanie Hackett as Mrs. Peters
Amy Madigan as Mrs. Hale
Sam McMurray as the Sheriff
Steven Vinovich as Mr. Hale
Steven Weber as the County Attorney
Directed by Rosalind Ayres.
Recorded at The Invisible Studios, Los Angeles in April, 2011.

Once again I get the pleasure of attending a theatrical performance without leaving my home, okay, actually I left my home because I listened to this production from L.A. Theatre Works in my car on my commute to work.  Being just under 30 minutes of performance time I heard the entire play from beginning to end without interruption.  This one act play is loosely based on the murder of John Hossack, which the author, Susan Glaspell, reported on while working as a news journalist for the 'Des Moines Daily News. Hossack's wife, Margaret, was accused of killing her husband. However, Margaret argued that an intruder had killed John with an axe. She was convicted but it was overturned on appeal.  The play was written and first performed in 1916.

Even if it is a one act play, such as this one, L.A. Theatre Works, puts their all into it.  The recordings of the performances are so clear that every movement made by the actors is clear in its intent.  Such as when the women in the play are checking the canned fruit jars, some of which were cracked due to the excessive cold in the house, when the women are pulling out the jars to find one undamaged, every clink of the glass and the scooting of the jars in the cabinet can be heard.  It is amazing that they can create the complete theatre of the mind aspect without over emphasizing anything, it all has intent and once again the production value from L.A. Theatre Works captures all the ambiance of the performance.

While the title of the play is taken from one of Mr. Hale's lines, "Well, women are used to worrying over trifles." It also can refer to the time period when women were treated as mere trifles themselves.  "Trifles" is seen as an example of early feminist drama, because it is two female characters', Mrs. Peters and Mrs. Hale's, ability to sympathize with the victim's wife, Minnie, and so understand her motives, that leads them to the evidence against her, while the men are blinded by their cold, emotionless investigation of material facts.

While the men are investigating the murder scene and other aspects of the house it is the women that uncover the whole story from the clues in the quilting, the broken birdcage and more.  The play doesn't end with the trial, but only after the women discuss their found evidence and decide not top pass the info on to the men, who probably wouldn't listen anyway.  The sheriff, says of the kitchen "Nothing here but kitchen things." This dismissal of the importance of the woman's life and the male reluctance to enter the "woman's sphere" is key in the men's failure to discover the crucial evidence for the case. The most important evidence is found hidden in Minnie's sewing basket.

A very haunting play and a brilliant performance produced by L.A. Theatre Works makes for a solid performance you won't forget.

"Becky Shaw" by Gina Gionfriddo

 "Becky Shaw"
by Gina Gionfriddo
Multicast performance starring;Emily Bergl, Matt Letscher, Marsha Mason, Mandy Siegfried, and  Josh Stamberg
Produced by L.A. Theatre Works
1hour 49 minutes

One thing about relocating to a small town in the middle of nowhere is that there is a very limited choice of theatrical and cultural experiences.  Okay maybe just theatrical, there's plenty of cultural experiences that come to small towns like harvest festivals, wine tasting festivals and various other, but with only a community college nearby the theatrical experiences are severely limited compared to when I lived in the city.  I guess really that's the one thing I miss, sitting in the darkened theater with live performers, that sometimes are friends and sometimes major celebrities that come to town on a touring performance.  Getting lost in the story and the full four dimensional experience that is the theatre.

Luckily I've stumbled across the audio releases from L.A. Theatre works.  These recorded performances put you right in the middle of the audience and while the visual aspect of the theatre is missing, the quality of production of the audio keeps you in the performance without missing the visual.  The sound effects and audience response are perfectly mixed in to not distract but instead enhance the performance.

This time around I listened to a contemporary play, "Becky Shaw" written by Gina Gionfriddo.  The play is a bit of a comedy of errors type play but may even seem as a bit of a love story with some suspense thrown in, so I guess you could say, a suspenseful comedy of romantic errors.  The main characters are Max and Suzana who are raised together after Max's mother dies and Suzana's parents take him in. Suzana's mother suffers from MS and has recently taken a young lover, a mere 4 months after the death of Suzana's father.  During the introductory scene we learn that Max and Suzana may have an attraction to each other.  The action starts when we jump a few months later after Suzana has run off to Vegas to get married and Suzanna sets up Max, on a blind date with her husband's co-worker, the mysterious Becky Shaw. During the date Max and Becky are mugged and what follows is a series of cataclysmic events that forever changes all their lives.

Mixing sharp wit and humor with the suspense of a psychological thriller, this critically acclaimed play will keep you guessing as to what will happen next.  I will warn you the play would be R-rated as the main characters seem to love throwing around the F-bomb.  But the performance is spot on, as have been all the plays I've heard from LATW.  Also the play is a lot of fun with the humor, twists and turns, and quick view of human nature.

Not until the very end do all things get sorted out, and even then I was still left wondering, who is this Becky Shaw?

"Top Secret: The Battle for the Pentagon Papers" 2008 Tour Edition by Geoffrey Cowan

"Top Secret: The Battle for the Pentagon Papers" 2008 Tour Edition
by Geoffrey Cowan
Multi-cast drama
Produced by L.A. Theatre Works (2008)
Approx 2 hours.

Where did it all go wrong?  When did the government become a source of distrust?  I don't think there is one single event that caused this current distrust of politics and the government, but according to current Pew research only 26% of those surveyed trust the government.  A lot of this has come from current governmental scandals, but I would go out on a limb and say that a lot of this government distrust started during the Vietnam war era.  That was a time of coverups and secret wars that once the information reached the public the government in general seemed to be a bad guy. 

One of the events that reveal this cover up was the publishing of the "Pentagon Papers" by the New York Times and the Washington Post in 1971.  This release from L.A. theatre works brings to light the events surrounding the release of the Papers by the Washington Post, including the court trial which led to a landmark decision by the Supreme Court which is best summarized by Justice Steward, "without an informed and free press, there cannot be an enlightened people."  The first amendment, which states, "Congress shall make no law respecting an establishment of religion, or prohibiting the free exercise thereof; or abridging the freedom of speech, or of the press; or the right of the people peaceably to assemble, and to petition the Government for a redress of grievances."  with the section on free press, provides another check and balance for the government to act in the best interest of its citizens.  This production from L.A. Theatre works not only provides a nice glimpse at this moment in history but also helps to further the lessons learned during this time of cover ups.

The full cast performance of "Top Secret: The Battle for the Pentagon Papers" stars; Diane Adair, Bo Foxworth, John Getz, James Gleason, Gregory Harrison, John Heard, Charles Janasz, Raphael Sbarge, Russell, Soder, Susan Sullivan, Peter Van Norden, Tom Virtue, Geoffrey Wade, and brings to life the events which led to the publishing of the papers and the battle which was brought to court by the Nixon administration.  The play is very well performed and written and with the audience effects LATW puts you right in the middle of the performance.  Based on interviews and court transcripts this story is one that must be heard by all.

It all starts when an injunction has been served on the NYTimes to stop publication of the "Pentagon Papers," and the Washington Post reporters and editors see this as an opportunity to scoop the NYTimes by getting their hands on copies of the Paper.  Once the Post begins publishing the Papers, after a long night of soul searching by the reporters and editors, Nixon's administration jumps in taking the Post to court under the guise of National Security.    Through the trial the paper's attorneys and editors battle down every argument against publishing the Papers and eventually win, even after the Nixon Administration appeals all the way to the Supreme Court. 

This play is a great representation of a time in U.S. history that changed the world, and is a key story in any freedom of press argument.  Grab this piece of history and enjoy. 

"She Stoops to Conquer: or Mistakes of the Night" by Oliver Goldsmith

"She Stoops to Conquer: or Mistakes of the Night"
by Oliver Goldsmith
a full cast audio performance starring James Marsters, Joanne Whalley and Ian Ogilvy
Produced by L.A. Theatre Works (2010)
Approx 2 hours

Once again I'm going back for a visit to the classics, and this time a classic theatre performance from L.A. Theatre Works.   I originally sought out this audio performance because of James Marsters, I have recently become a fan of his, after listening to his narration of the Dresden Files series of books by Jim Butcher.  Marsters then started showing up in some of the TV programs I watch and well I've become somewhat of a fan.  I had listened to a couple of previous productions from L.A. Theatre Works and a couple of them featured Marsters, so I looked to find out what else he'd done with them. 

I remember reading this play back in college and just looking at it as just another play we have to read.  When reading and analyzing it I did find some of it humorous, but very little.  Now that I've heard this performance, I find it quite a bit more humorous.  The acting in this production really focuses on the fun parts of the play and with the freedom of not having to get graded on my analysis, I was able to enjoy it more. 

I think the acting is what made this even more fun the cast consists of: Rosalind Ayres as Mrs. Hardcastle, Adam Godley as Tony Lumpkin, Julian Holloway as Elder Marlow and Stingo, James Marsters as Charles Marlow, Christopher Neame as Roger, Paula Jane Newman as Bet Bouncer and Pimple, Ian Ogilvy as Mr. Hardcastle, Moira Quirk as Constance Neville, Darren Richardson as Diggory and Jeremy, Joanne Whalley as Kate Hardcastle, and Matthew Wolf as George Hastings.  While I was in this for the James Marsters performance, I can honestly say that all the actors performed so well that no one single person stood out and the production as a whole was a complete success.  So far all of the productions I've heard from LATW are perfect.  They put you right smack dab in the middle of the audience and you can't help but enjoy these performances.

This play is pretty much a comedy of manners, basically a play about the difference in classes, with the mistaken identities and the expected behaviors, the comedy comes from those acting out of their class.

A man of wealth, Mr. Hardcastle arranges for his daughter Kate to meet Charles Marlow, the son of a wealthy Londoner, hoping the pair will marry. Marlow has a problem with women, it seems that when he's speaking to those of the upper-class he is nervous and stammers and cannot look them in the eye, however the lower class women he has no problem talking with. 

When arriving in town Kate's cousin Tony Lumpkin intercepts Marlow and sends him to Kate's home, only Lumpkin tells Marlow it is an Inn and not their home.  Expecting the people of the house to be Innkeepers and servants Marlow treats them as such.  Mr. Hardcastle, unaware of the misunderstanding, takes offense, but Kate sees this as the opportunity to actually be able to talk with Marlow and avoid his nervousness, by pretending to be the barmaid.  During the night the whole mistaken identity and class wars create some good humor until finally someone arrives to straighten out the whole mess and those that are actually in love with each other can be open about their relationships.

Bravo, LATW, on yet another fine production. 

"Trouble on His Wings" by L. Ron Hubbard

"Trouble on His Wings"
by L. Ron Hubbard
Multi-cast performance
Produced by Galaxy Audio
Approx 2 hours


I'm really enjoying all theses stories from the Golden Age, that are being released from Galaxy Audio and Galaxy Press, especially the short audiobooks they are releasing.  Galaxy Audio has been releasing all the short stories by L. Ron Hubbard from his Pulp-Fiction writing days of the mid-20th century since 2008 and each month there's a new release.  In the paperback versions they are giving them the look and feel of the old pulp magazines, but even better Galaxy Audio has created what I call Audio Pulps in their audio versions.

The Audiobooks all run about 2 hours in length some with 1 story and some with 2 or 3 short stories.  Each one is produced with a full cast, sound effects and incidental music that fits each story perfectly.  In fact, these audiobooks sound a lot like the old radio dramas from that same era.  The voice actors bring to life each character perfectly.

The new year is rolling in and that means another year of monthly releases from Galaxy Audio and Galaxy Press.  The first release of the year is "Trouble on His Wings," which was originally published in the January, 1939 issue of "Five Novels Monthly."

This adventure takes us to the air with a "picture-chaser" for the newsreels, yes, it is a bit dated on that aspect but the adventure is still enough to keep you on the edge.  Johnny Brice is always out to get the best pictures from the mouth of danger, from flying over a shipwreck and then diving in to get the film from the tourists onboard, to flying over a forest-fire and risking life and plane to get the best film for the newsreels.   

The risks in this story run high and when Johnny and his sidekick, "Irish" fly over a shipwreck they end up rescuing a beautiful woman who manages to tag along on each adventure.  Each time around tragedy strikes and Johnny loses his film and crashes a plane or two.  He figures it's all because of the dame and gives her the nickname "Jinx." 

Finally when Johnny is sent over to cover the war between Japan and China and is captured by the Japanese, the trio have to escape, and hopefully gather some info so Johnny and Irish can keep their jobs at world news.

Lots of fun high-flying, death-defying, adventure in this one.  Using the same old pulp-fiction formula of a Hero, a sidekick and a dame, Hubbard keeps you on listening until the very end.  With all sorts of twists and turns in the story that you never know what will happen until the surprising end.

"Batman: The Lazarus Syndrome" BBC Radio Drama Written by Simon Bullivant and Dirk Maggs

"Batman: The Lazarus Syndrome"
BBC Radio Drama Written by Simon Bullivant and Dirk Maggs
Multi-cast performance
Produced by AudioGo
45 minutes

One of the many things I love about comic books is that they are a quick read.  I love carrying them with me and when I have a few minutes relax and read an exciting story.  This audiobook gave me the feel of a real comic book, not only was it a full story in 45 minutes but the voice acting music and sound effects brought a comic book story to audio life.  Every aspect of this audio drama gives the full color graphics of a comic into sound.

The story was a 1989 BBC Radio 4 broadcast, produced to celebrate the 50th anniversary of the popular comic book character Batman.  If you are wondering where in the Batman continuity the story falls, it contains references to such Batman stories as Batman: The Killing Joke, Batman: A Death in the Family, Batman: Year Three, and Batman: Son of the Demon.  AudioGo has released the performance as this audiobook. 

On the anniversary of his parents murder Batman is attacked by an old enemy. Then there is an explosion and it seems Batman is no more. With the disappearance of the Batman Commissioner Gordon begins searching for any lead, even going as far as arranging a meeting with The Joker and Catwoman. The commissioner then gets an audiotape which seems to be from Batman, telling the commissioner of Batman's alter ego, Bruce Wayne, and that receipt of the tape verifies the death of Batman.  But when Gordon goes to Wayne Manor finding Bruce Wayne liquidating assets, Gordon realizes something is wrong.  Barbara Gordon the commissioner's daughter and former Batgirl (before The Joker shot her and put her permanently in a wheelchair) begins her computer expertise to hack into the Bat-computer and find out where the real Batman is.

While in Wayne Manor Bruce Wayne informs Alfred and Nightwing (Dick Grayson, formerly Robin) that he is hanging up the cape and cowl forever.  He begins selling off all of Wayne Enterprises and plans to relocate the Bat-computer.

At the same time in some unknown location the true Batman awakens in the same room as Talia (the daughter of Ras' al Ghul) and realizes he needs to regain his strength and awareness before this impostor uses Wayne Enterprises to bring ruin to the world. 

In an exciting audio-comic book, you will feel every punch and smell the dankness of the bat-cave thanks to the expert production fro BBC Radio and AudioGo.