More about building a studio.

Here's a pic of the beginnings of the True Hideaway Studio.

This is going to be our work station area.  We'll be using Adobe Audition and ProTools for the software for our multi-track production.  The wall behind the computer monitor is the wall that separates the workstation from the studio proper.  We will be cutting a hole in that wall and placing a window so we can see the musicians or voice performers.

Right now we are equipped with some awesome mics from Blu-mic  We have a Yeti-Pro which will provide some awesome stereo recordings and a Snowball for when we don't need the actual studio and just run directly into the computer.  Also we'll be using an Audio-Technica AT4040 for some use, a Shure 55SH (yep, the "Elvis Mic."  and various others as needed.

We are using simple PAs as some of our input (Behringer EPA 150 & Yamaha StagePas300) since most of our tracking and mastering will be done using the software this cuts down on the space taken up by a mixing board.  I have recorded a couple of local bands using this same equipment (which I would drag to their rehearsal space) and have come up with some really nice recordings.

Keep coming back we'll have more as it gets built and stocked.

"Life" by Keith Richards & James Fox

"Life"
by Keith Richards & James Fox
Read by Johnny Depp, Joe Hurley & Keith Richards
Produced by Hachette Audio (2010)
Approx 24 hours.

I think I may have read one of the most intriguing and entertaining autobiographies ever. "Life," the story of Keith Richards and his life in and out of the Rolling Stones. The Stones were/are one of the world's biggest bands and the stuff of rock and roll legend. I never was a big fan of the Stones before, but after listening to this audio book I am now. Working in radio I have played a few of their tunes and even had a couple of favorites, but I guess I never really gave them a chance.

What has made me a fan most of all is something I found extremely surprising in this audiobook, the easy flow of the story beginning with Keith Richards' early life and just rolling along through his life, warts and all. Also the idea presented that Richards' is a pretty laid back guy. He had his ups and downs with drug addiction, which he discusses through this book, but the amazing thing is that he didn't really have anything bad to say about anybody. Most celebrity biographies/autobiographies, the celeb has a beef with someone or several someones. Or there is an expose feel to a biography which has a purpose of poking at wounds. Keith did have conflicts with people, such as Brian Jones and later with Mick Jagger and a few in between, but each time Keith presented it by always taking the blame for some of the turmoil. He never blamed and there was no fingerpointing and there was no beef with anyone that he had to get out. Keith simply told his story and left it at that.

Many times throughout the book Keith turns the storytelling over to other people due to them having a different perspective, some of the other people are Marlon (his son), Bobby Keys, and just about anyone else involved in his life.

In this book all the myths are exposed, such as did Keith get his "blood changed" to break his heroin addiction? did he really snort his father's ashes? Was it a palm tree he fell from? All this and more including the loves of his life. Other than music Keith loved a few women, from Ronnie Spector to Anita Pallenberg, they're all special and from the words he uses the reader/listener can tell he loved them deeply.

Throughout the book Richards, of course, discusses his love of music. From the discovery of American Blues to Island music, he incorporates it all into the music that becomes the most timeless music of all time, Rolling Stones music. How some of the songs were written and recorded can be surprising and yet once you go back and hear the tunes it makes sense.

The audiobook is also a bit of a Keith Richards sandwich, with Keith providing the intro and the final chapters' narration of the book. Johnny Depp reads for Keith's early years, and musician Joe Hurley reads for the better part of the 70s section and Johnny Depp taking over again for the 80s and beyond. Depp, who based his Jack Sparrow pirate character on Richards, does an awesome job reading as Richards, but Joe Hurley makes the middle section fun doing a great "slight" impersonation of Richards and the others whose voices are required. As far as biographies go this is the best read one I've ever heard.

With the book being around 24 hours of listening time, I was a bit wary of the task, but once the book started I was hooked and just couldn't let go. Great bit of rock and roll history with some inside stories that make the trip more fun.

"Deep Blue" by David Niall Wilson

"Deep Blue"
by David Niall Wilson
Narrated by Chris Patton
Published by CrossRoad Press, 2010
Approx. 11.5 hours

"Crossroads or Cross-hairs, it's all the same. There's only one way through the pain and that's through the music." That's what the mysterious old bluesman tells Brandt when Brandt learns he as a new musical power. This quote grabbed me in this novel by David Niall Wilson, and kept hold as Brandt, a burned out musician begins to play music that can absolve or dissolve people of their pain. But as Stan Lee says, "With great power, comes great responsibility." What Brandt must do with this new found power is yet to be revealed.

David Niall Wilson has written a haunting tale of a down and out bar band that is either on the verge of making it or burning out. The band's leader Brandt is trying to find that one thing in the music that is constantly eluding him, what that is he's not sure, yet. After leaving their latest gig and being too drunk to drive Brandt walks home. As he's walking he keeps hearing a haunting blues harmonica being played. When he arrives home he realizes he's forgotten his keys and decides instead of walking all the way back he swigs some courage from the tequila bottle and decides to track down the mysterious musician. Who he finds is a ghostly figure of Wally, a harmonica playing old bluesman. Wally shows Brandt his hidden talent of playing music by absorbing others' pain.

The night after learning this Brandt takes the stage with his band-mates and begins playing. As he plays he gets visions of Nazis killing Jews, American Indians being forced to walk the trail of tears and more painful events. Over his shoulder as he's playing he hears Wally repeat the quote, "Crossroads or Cross-hairs, it's all the same. There's only one way through the pain and that's through the music." When Brandt finishes the audience is still and his band is staring at him all asking, "What was that?" Brandt leaves without an explanation.

The next night the band has a record exec in the audience, but no Brandt, this time the bassist Cynthia, takes her bass playing to new levels. She has always seen "angels" but tonight she seems to be playing for the angels. Before the angels never paid her any attention, but this time as she plays they are all looking at her and listening with intent. She finishes the song as she sees a vision of her mother, as she reaches out, the record exec breaks the vision and starts his schpiel. She is slightly frightened and leaves.

This now leaves the band down to the Drummer, Dexter, and the rhythm guitarist, Shaver. Shaver has been trying to find "The Song." "The Song" being what Brandt and Cyn discovered. He plays so much he tears up his fingers so bad he cannot touch anything. His girlfriend Liz tends to his wounded hands and takes him back to Dexter's apartment so they can find "The Song" and find Brandt and Cyn.

The band all seem to have strange pasts, Dexter was raised by a Church that handled snakes as part of worship (he was left at the steps of the church as an infant). Dexter could handle the snakes because he found the pattern in the snakes, the pattern that is existence. Cyn has always seen "angels," by this I mean everywhere and all the time. Liz was raised in a church where as each member died the church held a service where food was placed over the body and a dark man known as "The Sin Eater" would gorge on all the food placed in the process eating the sin so the person can reach salvation.

The band meets a man named Payne who seems to be keeping them from their "mission." But the band heads west to Liz's home where her father is the "Sin Eater," but the church is under new leadership and has forgotten their past and the "Sin Eater." This is where the showdown between the band and Payne will be held.

Through some great musical imagery and excellent sub-plots, David Niall Wilson, has written a captivating story that is full of surprises. The reader, Chris Patton, fully captures the imagery in his excellent voice work and telling of this story. While listening I wasn't sure if it was Wilson's words or Patton's voice, or the combination of the two, but I swear I heard the music in every scene.